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browsethestacks: “Robin And Catwoman by Dave Seguin ”
May 2, 2015 / 1,070 notes

browsethestacks:

Robin And Catwoman by Dave Seguin

(via hodgman)

robotcosmonaut: “Antarctica, 1974 ”
May 2, 2015 / 167 notes

robotcosmonaut:

Antarctica, 1974

(via thisisgrey)

mubiblog: “A poster by Jaw Shaw for Stanley Kubrick’s Paths of Glory. See and read more at Evil Tender. ”
Apr 26, 2015 / 300 notes

mubiblog:

A poster by Jaw Shaw for Stanley Kubrick’s Paths of Glory. See and read more at Evil Tender.

(via audreyhepbuns)

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Apr 9, 2015

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thisisgrey: “(via N°7 - Mohamed Bourouissa) ” thisisgrey: “(via N°7 - Mohamed Bourouissa) ” thisisgrey: “(via N°7 - Mohamed Bourouissa) ” thisisgrey: “(via N°7 - Mohamed Bourouissa) ”
Apr 9, 2015 / 13 notes

thisisgrey:

(via N°7 - Mohamed Bourouissa)

Apr 4, 2015

“Nobody tells this to people who are beginners, and I really wish somebody had told this to me. All of us who do creative work, we get into it because we have good taste. But it’s like there is this gap. For the first couple years that you’re making stuff, what you’re making isn’t so good. It’s not that great. It’s trying to be good, it has ambition to be good, but it’s not that good. But your taste, the thing that got you into the game, is still killer. And your taste is good enough that you can tell that what you’re making is kind of a disappointment to you. A lot of people never get past that phase. They quit. Everybody I know who does interesting, creative work they went through years where they had really good taste and they could tell that what they were making wasn’t as good as they wanted it to be. They knew it fell short. Everybody goes through that. And if you are just starting out or if you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Do a huge volume of work. Put yourself on a deadline so that every week or every month you know you’re going to finish one story. It is only by going through a volume of work that you’re going to catch up and close that gap. And the work you’re making will be as good as your ambitions. I took longer to figure out how to do this than anyone I’ve ever met. It takes awhile. It’s gonna take you a while. It’s normal to take a while. You just have to fight your way through that.”

IRA GLASS

designeverywhere: “Bloomberg Businessweek Design 2014 ”
Apr 4, 2015 / 52 notes

designeverywhere:

Bloomberg Businessweek Design 2014

wherearchitectureisfun: “WAÏF: When Psychedelic Rock discovered the grandeur of the ancient ruins Pink Floyd Live at Pompeii source ” wherearchitectureisfun: “WAÏF: When Psychedelic Rock discovered the grandeur of the ancient ruins Pink Floyd Live at Pompeii source ” wherearchitectureisfun: “WAÏF: When Psychedelic Rock discovered the grandeur of the ancient ruins Pink Floyd Live at Pompeii source ” wherearchitectureisfun: “WAÏF: When Psychedelic Rock discovered the grandeur of the ancient ruins Pink Floyd Live at Pompeii source ” wherearchitectureisfun: “WAÏF: When Psychedelic Rock discovered the grandeur of the ancient ruins Pink Floyd Live at Pompeii source ”
Apr 4, 2015 / 29 notes

wherearchitectureisfun:

WAÏF:  When Psychedelic Rock discovered the grandeur of the ancient ruins

Pink Floyd Live at Pompeii

source

architectmagazine: “SculptureCenter Renovation and Expansion Long Island City, N.Y. Andrew Berman Architect. The original RFP for an addition to the SculptureCenter in Long Island City, N.Y., was for a simple fire stair. But when local architect... architectmagazine: “SculptureCenter Renovation and Expansion Long Island City, N.Y. Andrew Berman Architect. The original RFP for an addition to the SculptureCenter in Long Island City, N.Y., was for a simple fire stair. But when local architect... architectmagazine: “SculptureCenter Renovation and Expansion Long Island City, N.Y. Andrew Berman Architect. The original RFP for an addition to the SculptureCenter in Long Island City, N.Y., was for a simple fire stair. But when local architect... architectmagazine: “SculptureCenter Renovation and Expansion Long Island City, N.Y. Andrew Berman Architect. The original RFP for an addition to the SculptureCenter in Long Island City, N.Y., was for a simple fire stair. But when local architect...
Apr 4, 2015 / 26 notes

architectmagazine:

SculptureCenter Renovation and Expansion
Long Island City, N.Y. Andrew Berman Architect.

The original RFP for an addition to the SculptureCenter in Long Island City, N.Y., was for a simple fire stair. But when local architect Andrew Berman, FAIA, examined the 1907 structure—which had become the institution’s home in 2001 following a renovation by Maya Lin—he found ways to modify the existing program, and building, to maximize use. Berman, who also worked on the entry building at nearby MoMA PS1, reconfigured the Center’s side lot entry into a more meaningful procession by closing it off from the street with a wall of Cor-Ten steel. “We didn’t change much of the work Maya had done, but we completely changed the feeling of the space and the circulation,” Berman says. “Spatial layering in the entrance sequence changes one’s perception of the space.” Read more here: http://bit.ly/1GKDwa7

booksfromthefuture: “Socially Responsive Design – Steinar Borø, Mats Omland, Maziar Raein and Sanneke Duijf ” booksfromthefuture: “Socially Responsive Design – Steinar Borø, Mats Omland, Maziar Raein and Sanneke Duijf ” booksfromthefuture: “Socially Responsive Design – Steinar Borø, Mats Omland, Maziar Raein and Sanneke Duijf ” booksfromthefuture: “Socially Responsive Design – Steinar Borø, Mats Omland, Maziar Raein and Sanneke Duijf ” booksfromthefuture: “Socially Responsive Design – Steinar Borø, Mats Omland, Maziar Raein and Sanneke Duijf ” booksfromthefuture: “Socially Responsive Design – Steinar Borø, Mats Omland, Maziar Raein and Sanneke Duijf ”
Apr 4, 2015 / 135 notes

booksfromthefuture:

Socially Responsive Design – Steinar Borø, Mats Omland, Maziar Raein and Sanneke Duijf

(via thisisgrey)